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垃圾分类引领文明新时尚——连山区开展城市生活垃圾分类宣传周系列活动_我的网站

A |     本报记者 周莉                        5月22日至28日是第二届全国城市生活垃圾分类宣传周，今年的主题是“践行新时尚分类志愿行”。    

    The Girl Who Was FiredA virtual AI actress has gathered massive followers and stirred widespread heated debate on Chinese social media - unlike conventional celebrities, this breakout star is entirely artificially generated.
Fang Taozi, an AI-generated character who stars in the hit AI short drama series The Girl Who Was Fired, has posted lifestyle vlogs, launched social media accounts, shared her breakfasts, workouts and pets, landed brand deals and has a fanbase.
Since the drama debuted on short video platform Douyin on June 12, it has accumulated 200 million views. Fang's Douyin account has attracted more than 400,000 followers.
Fans interact with her as if she were a real celebrity, creating fan edits, discussing fictional relationships and building a community around her imagined life.
This raises a question that has become increasingly urgent for the entertainment industry: Does Fang Taozi represent the first generation of AI celebrities? The answer depends on how "celebrity" is defined, said Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, in an interview.
If celebrity status is measured by public attention, emotional connection and commercial value, Fang appears to meet many of the criteria. She has fans, a personal brand and even advertising opportunities. 
Whether AI can truly become stars depends not on the technology itself, but on their ability to forge genuine emotional connections with audiences and sustain their appeal over time, added Zhang. 
However, Shi Wenxue, a Beijing-based cultural critic, argues that AI stars have indeed emerged, but they should be viewed as part of the broader lineage of virtual idols.
From the 1958 US virtual musical group Alvin and the Chipmunks to Hatsune Miku, Luo Tianyi and the hyper-realistic digital human Liu Yexi, virtual performers have existed in various forms for decades. 
From the perspective of how she is created, Fang Taozi represents a technological advance. Her emergence is largely a product of the current economic environment of the film and television industry.
The rise of AI performers has also triggered concerns among human actors, especially those working in smaller productions.
Human performers bring personal experience, emotional interpretation and unpredictability - qualities that remain difficult to reproduce. But for industries that require large volumes of affordable content, AI characters offer obvious advantages: They do not age, can work continuously and can be customized for different audiences.
AI short dramas are cheaper, faster and free from the risks associated with human performers, raising concerns over the future of lower-level entertainment jobs in areas such as short dramas, advertising, background acting and voice work, said Zhang.
In Shi's view, beneath the debate lies a familiar tension: technological efficiency versus the threat of displacement for human workers.
The question is not whether AI will completely replace actors, but which parts of acting and entertainment can be automated, he noted.
Rather than presenting an AI figure only as a digital image, Chinese platforms appear to be building complete entertainment ecosystems around AI characters, including dramas, social accounts, fan interactions and commercial partnerships.
China's AI stars have grown out of the audience's desire for emotional companionship, while Hollywood's AI experiments have been shaped by industry battles over efficiency and costs, noted Zhang. 
According to Shi, Fang Taozi's sudden popularity is, in many ways, a reflection of audience psychology. Whether they are moviegoers, fans or casual viewers, audiences have grown weary of formulaic content, scripted fan service, predictable performances and fragile celebrity personas. An idol like Fang Taozi offers an alternative: She cannot be involved in scandals, play diva or break character, and her persona can be adjusted to meet audience demands. But the model also comes with risks, particularly the limitations of its creators and the potential for excessive commercialization.
。日前，城区内各街道社区开展形式多样的垃圾分类宣传活动，倡导生活垃圾分类理念，提高居民对人居环境及垃圾分类工作的参与率、知晓率、满意率，营造人人皆知、广泛参与的环保氛围。

B |                        站前街道泰顺社区开展“倡导垃圾分类，推进移风易俗”垃圾分类主题宣传活动，志愿者为居民们讲解了什么是垃圾分类、为什么要进行垃圾分类、生活中怎样进行垃圾分类等知识，进一步增加了居民们学习垃圾分类知识的积极性。兴达社区新时代文明实践站开展“学雷锋志愿服务促低碳、讲文明垃圾分类新时尚”垃圾分类主题宣传志愿服务活动。志愿者通过摆放黑板报，发放垃圾分类宣传单的方式，向居民宣传垃圾分类知识，并耐心解答居民提出的各种问题，让“绿色、低碳、环保”的理念深入人心。隆化社区开展以“垃圾分得更清楚、美化生活我做主”为主题的垃圾分类知识巾帼专项培训活动，对社区工作人员和社区居民进行垃圾分类培训，呼吁居民积极参与到垃圾分类中来，共同营造了一个干净舒心、整洁有序的居住环境。新台社区志愿者在辖区内开展宣传活动，向小区居民讲解垃圾分类小知识，耐心解释不分类的危害，并对生活垃圾分类标准等做了详细解读。积极引导大家采用“源头细分”的方式，将垃圾分为厨余垃圾、可回收垃圾、有害垃圾、其他垃圾，做到垃圾及时入桶、不随意丢弃，帮助居民养成良好的分类习惯，进一步增强大家的环保意识。                       连山街道金科社区工作人员和志愿者为社区居民发放关于垃圾分类的宣传资料，向大家讲解生活垃圾分类的意义、分类处理的方法等相关内容，增强社区居民对垃圾分类知识的了解，呼吁社区居民在日常生活中积极参与垃圾分类，保护环境从自我做起，共建美丽社区。抚民社区新时代文明实践站开展“垃圾分类 绿色生活”活动，倡导垃圾分类新时尚，吸引青年积极加入垃圾分类的志愿服务行列中来，引导青年们自觉养成文明礼貌、保护环境、垃圾不乱丢的良好习惯。营造垃圾分类“人人有责，人人参与，人人受益”的浓厚社区氛围。                       化工街道新时代文明实践站开展“珍爱地球，有害换有爱”垃圾分类活动。建化社区、博化社区、靖化社区新时代文明实践站分别开展宣传活动。志愿者从“为什么要进行垃圾分类”“如何分类”“日常生活垃圾分类”等三个方面内容让大家了解垃圾分类的知识和环保意义，并且耐心回答了居民提出的问题。五号院社区新时代文明实践站志愿者通过分发宣传材料的方式开展对垃圾分类知识的宣传，主动为大家讲解垃圾分类的益处，潜移默化地影响着每个人的行为。

C | 新化社区开展“珍爱地球，创建清洁美丽的社区”垃圾分类宣传活动。居民们积极参与，提高了对于垃圾分类的认识和重视程度，共同努力为社区创造一个清洁、美丽的环境。                       石油街道东门社区开展“垃圾分类 绿色生活”主题活动，提高社区居民对垃圾分类的认识和参与度，推动绿色生活理念传播。活动中通过海报、传单、讲座等多种形式，向居民普及垃圾分类知识；设立垃圾分类示范站点，引导居民进行正确的垃圾分类投放。居民对垃圾分类的重要性有了更深刻的认识，有效减少了垃圾混装现象，社区环境更加整洁有序。铁北社区以政务公开日为契机，开展垃圾分类宣传活动，引导居民从身边做起，从点滴做起，自觉开展生活垃圾分类，逐步形成垃圾分类及环保意识。活动现场，志愿者通过发放宣传册以及现场讲解的方式向广大居民们介绍了什么是垃圾分类以及垃圾分类的必要性，通过事例来讲解如何低碳环保，号召广大居民积极参与到垃圾分类的活动中。

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Published on:09:38:53